![]() The grain cloud options of the Aetherizer effect are stunning, and can be applied to your own audio as well to Absynth patches. ![]() There are few soft synths that rise to the dizzy heights of a fifth incarnation, but then Absynth has always been rather different from the norm. #Absynth 5 library softwareįollowing its humble origins as a Mac‑only release by software developers Rhizomatic in 2000, Absynth quickly joined the ranks of Native Instruments products and gained a PC version, while its semi‑modular design, wave‑shaping, granular synthesis and 68‑point envelopes also gained it a huge number of enthusiastic users. Part of the reason for its popularity is that it not only runs as a stand‑alone version or as a plug‑in instrument, but also as a plug‑in effect that can treat incoming audio. Fortunately, in Absynth 5 a lot of effort has gone into making things easier to use, so let's see how successful NI have been! Mutator This makes it a favourite among sound designers, but its quirky design also means that while many users love its sound capabilities, they rapidly become rather lost when it comes to creating their own sounds. If you want to make new Absynth sounds but never knew where to start before, the new Mutator will make you smile. First, you choose an existing preset as a starting point, and then select some of the tags from the Browser database first seen in Absynth 4. ![]() These comprise Instrument, Source, Timbre, Articulation and Genre.
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